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Warm Reds Copper, auburn, and cinnamon shades bring out the golden undertones in brown skin

Finally we have extracts from three pleasingly positive contemporary reviews, with Manohla Dargis neatly observing in Sight & Sound that Franklin put the noir back into film noir and crossed over into the world. Ive been a fan of Franklins film since I first saw it back in the 90s, but coming back to it after a gap of several years I was struck not just by how strong all of its constituent parts are but just how effortlessly they all gel together

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